Dirty 30: a review

 

 

As Rose Caraway writes in her introduction to the ‘Dirty 30’ anthology: ‘There is power in erotic 51uoNnKDMtL._SX331_BO1,204,203,200_storytelling. Our fantasies are infinite, and just as much a part of us as our arms and legs. Between identity and desire, we are complicated and beautiful and intense. And so is Erotica.’

It’s my pleasure to have a short story featured in ‘Dirty 30’: ‘The Honeymoon’ – telling of temptation and of relationships not being quite what they  appear. My own work often explores the darker side of desire, revealing what’s unconsciously hidden, or purposefully concealed.  Stories which play out similarly tend to make me smile and there are plenty of those in this collection: cleverly structured tales that offer a wry surprise and a bold twist at their conclusion…

Among my favourites are ‘Return of the Snow Queen’ by Tamsin Flowers, and Janine Ashbless’ ‘Sweet Hel Below’. I was in a swoon with both these tales, which play into my own love-affair with fairy tales, and with Norse mythology. Exquisitely told, and seriously seductive, both stories delve the struggle within us, between light and dark. Tamsin’s story, inspired by ‘The Snow Queen’ surveys the ease with which we are tempted (albeit within a world in which a sliver of magic mirror may distort our vision and lead us astray). Janine’s portrayal of  the Norse underworld is no less enchanting, exploring our fascination with mortality, and the dual nature we each harbour: of shadows, doubt and putrefaction, versus our vitality and capacity for self-sacrifice and love.

dirty 30 anthology janine ashbless

RA Goli’s ‘The Seer’ also draws on Norse mythology, using that rich seam of magical lore to explore universal truths: our desire to know what awaits us, and to understand what aspect of our frail humanity will bring us true contentment.

Sommer Marsden’s ‘Thunderclap’ and Malin James’ ‘Canvas’ also evoked a strong reaction from me, using gorgeous prose to delve emotional truths. In similarly sumptuous literary style is Brantwijn Serrah’s ‘Life Drawing 101’, and ‘A Polite Fiction’, by Terrance Aldon Shaw.

Meanwhile, Chase Morgan’s ‘Honey, I’m Home’, Elliot deLocke’s ‘Torrid Zone’, Sonni de Soto’s ‘Do Not Disturb’ and Michael Lewis’ ‘The Thief’ each use action and suspense to enhance their atmosphere of highly-charged eroticism.

And, I MUST mention Landon Dixon’s ‘Moby Tit’, and Spencer Dryden’s ‘The Dude’, which are both masterpieces in their own, unique style. Landon has skilfully woven his bawdy ballad of a man obsessed with breasts, while Spencer’s story, told anecdotally during  a radio phone-in, uses the brevity of dialogue to keep us hanging upon the turns of the tale, until the marvellous ‘punch-line’ of the ending.

Dirty 30 rose carawayIt’s always a delight to work with Rose, whose enthusiasm for our genre is inspirational and uplifting. I love her forthright attitude towards erotica, and sex! As an author and editor, Rose encourages us to read (and write) to liberate our sexual fantasies, to expand our self-knowledge, and to express ourselves without shame or inhibition.

Hooray for erotica!

As Rose says: ‘Erotica can be whatever we want it to be’.

The Dirty 30 anthology is incredibly diverse, well conceived and executed, and damned hot!

Time to discover your new favourites….

Find ‘Dirty 30’, published by Stupid Fish Productions, here

 

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Author Influences : Sonni de Soto

Sonni de Soto loves to tell stories, exploring not just the world of our sexual fantasies, but the practicalities too. She laments that most mainstream BDSM fiction avoids looking at the ‘realities’. She explains, “For real-life players, kink takes connection. Not the kismet kind or the magic soulmate sort, but the type that comes with a lot of communication and a lot of earned trust. Too often, in fiction, that’s seen as unromantic but, for me, that’s where the romance and sizzle always lie.”

Of her own reading, she tells us, “I’m a big fan of interconnected stories: when we follow characters within the same world, seeing how one character sets in motion events which affect all the others, in their own stories. This echoes the truth that everything we do affects everyone else (whether on butterfly-wing levels or typhoon ones).”

sonni quote 2Among her favourite such reads is David Schickler’s Kissing In Manhattan collection, which gives readers a ‘strange and seemingly random cast of characters, centred on a mythic Manhattan apartment complex called The Preemption’.

Sonni asserts, “I love that each story is complete, and can stand entirely on its own, but gains greater impact when viewed alongside the others. Like people in the real world, everyone has a story. Everyone is the star—the main character—of their own story, as well as being a side character in everyone else’s. We all make an impact. I wonder if my own Donovan’s Door world would even exist without Schickler’s Preemption.”

Although Sonni rarely writes speculative fiction, she notes “I love to read such stories, and sonni quotewatch films which take a fresh look at our everyday world by adding extraordinary elements, making our familiar settings seem somehow strange and unknown. Unexpected futures we’ve yet to fulfill. The occult lurking in our shadows. Hidden powers that manifest in the meeker among us. The magical meeting realism.”

Among Sonni’s favourite films are surrealistic-fantasy masterpieces Pan’s Labyrinth, Brazil, and Mirrormask.

She adds, “That’s how kink scenes in stories feel for me. A fantasy constructed within—constructed from—reality. They require a certain suspension of disbelief but also rely on there being basic, consistent ‘rules’.”

“Whenever we try to translate fantasy—whether sexual or speculative—into the believable, we need a firm grounding in reality or we risk straying too far from the humanity that connects stories to audiences,” warns Sonni.

“In movies, you want the special effects to be mind-blowing and unlike anything anyone sonni quotehas ever seen before but, if they go too far or are overdone, the film falls flat. For me, kink scenes follow the same logic. I want my sexy story bits to be steamy and hot, but I want to be sure that they’re still grounded in something real. Do body parts actually move and react that way? Is proper safety, negotiation, and consent being observed? Does the kink serve a purpose to the plot and character development or is it more flash over substance?”

She asserts, “Speculative films taught me that if you want to make someone believe something unknown and strange—be that aliens walking among us or that pain can be exquisite pleasure—you have to really sell the setup.”

Theatre made a significant impact on Sonni from an early age. She tells us, “I’ve been involved in theatre one way or another since I was able to walk, but it took thirteen years before I really saw roles on the stage—and in stories in general—that looked like me. RENT was a huge influence on me, as a writer and as a person. It was the first time I really got to see characters of color and LGBTQ+ characters as the stars of a show. That was so powerful: to see that our stories are worth telling and that there are people who want to hear them.” She adds, “I never used to tell stories that featured characters of color or LGBTQ+ characters. Now that’s pretty much all I do.”

Sonni underlines, “As creators, we fear that nothing we do is original… that everything has been done before. I know that all stories have been told in some form or another before, but mine offer my own special spin.”

Sonni’s latest release, with Sinful Press, is Show Me, Sir, exploring the themes of feminism, BDSM, kink, and community.

Show Me Sir

Max Wells is a ball-busting, ass-kicking testament to female empowerment, who’s yet to meet the person who can push her down.

Until she meets a man she only knows as Sir. Shamelessly deviant, Hayato knows exactly what Max thinks of Dominants like him. Ready to dismiss his lifestyle, she’s the type to assume she knows everything about it, and him, after one cursory glance from the outside in. But, looking at Max—at her intelligence and passion—he can see more in her than the misconceptions with which she’s deliberately blinding herself. And, determined, he plans to show her more.

Max and Hayato engage in a dance of wit, will, and seduction as they negotiate roles, rewrite rules, and learn the true meaning of empowerment.

However, just as their game heats up, someone threatens to drag their private lives into the spotlight. With high stakes and bitter scandal looming, Max and her Sir must work together to show that they’re not defined by what the world thinks they are.

Buy Show Me, Sir here

About the Author

Sonni is an office-grunt geek with a passion for cosplay, taking cloth, paint, wire and, even, plumbing parts to bring some of her favourite fictional characters to life.

She describes herself as a kinkster of colour, and is the author of The Taming School (Sizzler Editions) and Show Me, Sir (Sinful Press), as well as Give to You (Deep Desires Press). Her short stories feature in six anthologies, including in Riverdale Ave Books’ First Annual Geeky Kink Anthology, in Sexy Little Pages’ Sacred & Profane, and in Stupid Fish Productions’ For the Men (and the Women who Love Them).

Follow Sonni on Facebook, pay a visit to her blog, or find her on Amazon

Part Five: Behind the Erotic Pen – interviewing the authors of ‘For the Men’ anthology

This is the final installment in my review of the tantalizing new anthology, For the Men erotic fictionwritten For the Men (and the Women Who Love Them), edited (and narrated) by Rose Caraway

Rose Caraway erotic fiction author interviewTwenty-five tales: from bitter chocolate and acidic citrus, to lush caramel.

In this series, I’ve shared insights from the authors: their thinking as they wrote each tale…

The collection aims to show that erotic fiction isn’t just for women. The  Rose Caraway reading narrating erotic fiction conduit for author passion‘erotic’ in literature has the power to speak to everyone.

In Part One, I looked at the theme of ‘watching and being watched’: our desire to exhibit ourselves sexually, the thrill of revealing, and concealing.

In Part Two, I delved tales filled with tension and conflict, exploring dichotomies of power: giving and receiving, vulnerability and strength.

Rose Caraway  Erotic Fiction audio quote express your sexualityIn Part Three, I looked at stories in unusual settings: futuristic, supernatural, and off-planet: locations thrilling and unexpected.

In Part Four, I examined psychological and emotional depth within some of the stories, taking us to places unsettling, in which to face our own truths.

Here, I present tales which combine fantasy with ‘the everyday’: on journeys, within the home, on the simple Rose Caraway quote on honest and unflinching audio narrationsetting of a farm. We see the meeting of strangers, and passion between those in established relationships.

Jade A. Waters and Spencer Dryden both contribute ‘handyman fantasies’ to the collection. Jade’s 73A portrays the fantasy of sex with a stranger. She recalls a crush on a handyman who came to work on her satellite dish, admitting that she considered trying to get him back for ‘more repairs’. Jade combined that memory with another of a good-looking painter working on a neighbour’s fence. The result is sassy and humorous.

jade a waters author erotic fiction eroticaIt came together like a lust letter in my head!” she admits, adding, “While I think the anonymous sex/no strings attached sex idea often appeals to men, I don’t think that’s lost on women, either.

Jade muses on perhaps Emma Stone or Blake Lively playing her lusty jade-a-waters-for-the-menheroine, with a confident, dude next door as her handyman suitor: Gerard Butler, Wentworth Miller, or Simon Baker.

Spencer describes his tender handyman story, MILF and Cookies, as a ‘holiday romance suitable for the Hallmark Channel, if Hallmark gave us erotic romance, told from the perspective of the male protagonist’. For his fantasy casting, he’d use Matt Damon and would love to hear reader’s thoughts on who’d be suitable for his female protagonist.spencer-dryden-for-the-men

He tells us, “Like many of my short format male POV works, an earnest but somewhat clueless guy falls into the orbit of an enchanting woman… From that, I’m sure something could be inferred about my own romantic encounters!”

Terrance Aldon Shaw’s Making Hay is a re-telling of one of the classic Norse myths: a tale of lust, of longing, of restlessness, and our search for our place in the scheme of things. It’s set on a small tenant farm, such as his paternal grandfather worked upon, struggling to make ends meet and could be set ‘somewhere between the late 1930s and early 1960s’.

He asserts, “I wanted to write a story about men and women working side by side, doing real, hard physical labor, and respecting each other for their work.” He notes that people ‘close to the earth’ tend to be more ‘matter-of-terrance-aldon-shaw-for-the-menfact about sex’. Meanwhile, ‘hard work in close proximity often becomes an aphrodisiac in itself’.

In writing the tale, Terrance gave thought to what a man in this setting would find attractive and desirable. He tells us, “Gunni is not just physically beautiful but is given the great compliment of being ‘a good worker’.” Meanwhile, she is physically strong yet has a certain vulnerability: a ‘subtle duality’ as Terrance puts it.

“I also thought it would be interesting to describe these people’s relationship with the machinery they depend on for their livelihood. (Is Erotic fiction Terrance Aldon Shaw quotethat ‘a guy thing’ or what?) The image of the baling machine as a kind of sexually voracious creature–comprising both male and female characteristics, really gets to the essence of this story.

Terrance emphasizes that the need to harvest promptly, before the hay is ruined by rain, lends a sense of realism and urgency, which underscores the erotic elements in the story.

As for the inspiration behind the tale, Terrance explains, “The god Odin assumed human form to learn the ways of men. He plucked out one of his eyes in exchange for the gift of foreknowledge, and, in the guise of a farm hand, seduced the maiden Gunlöo.”

Terrance Aldon Shaw quote erotic fiction pornA fan of the TV series Vikings, Terrance imagines Kevin Durrand (who plays Harbard, the bard/wanderer) and Alyssa Sutherland (who plays Princess Auslaug) in his main roles, saying that Alyssa ‘would make a lovely Gunni, with just the right amount of vulnerability and spunk’.

Rachel de Vine‘s Hitchhiker gives us a female protagonist with an uninhibited attitude to sex. Rachel recalls her own youthful days of hitch-hiking around Europe, feeling that ‘anything was possible’. Rachel wished to present hiker Jezebel ‘without her being judged and found morally lacking’. She tells us, “I wanted my female character to be bold and fearless, and honest about her intentions and needs.”rachel-de-vine-erotic-fiction

For Jezebel,  and trucker Hermes (the name Jezebel gives to him as the Greek god of travelling), Rachel imagines casting Aidan Turner and Eleanor Tomlinson from the TV series Poldark, admiringhis dark intensity and fiendishly good looks’ and ‘her mass of auburn hair and strong character’.

D. Lovejoy describes Take It Like a Man as ‘a humorous story about a guy whose wife uses her seductive wiles to convince him to try pegging’; meanwhile, he is anxious as to what this means for his manhood. Dahlia explains, “I wrote a story I wanted to read—sexy and funny with a touch of the ‘forbidden.’ I love when erotica uses humor; it’s a great tool for lowering defenses and allowing the reader to dahlia-lovejoy-for-the-menexplore new possibilities and discover new turn-ons. I wanted to show how sex doesn’t have to become stale or predictable. Exploring fantasies together is a great way to connect and keep the fires burning. And things don’t have to go perfectly. It’s fine to laugh together when they don’t.”

As for her leading man, she laments that Seth Rogen doesn’t make erotica.  

Josie Jordan’s The After Party gives the reader a very steamy ménage, her female protagonist entering into a consensual encounter with two men.

She notes, “It’s the first erotic story I’ve written without a woman being thejosie-jordan-for-the-men main character. I figured being approached in a club by a gorgeous girl who wants to go home with you would be a popular male fantasy. Except there’s a twist: she wants his best friend to come too. I thought couples could read this story together and imagine themselves in this situation.”

Josie imagines Channing Tatum as her leading man, and admits that the fantasy is one she has come close to enacting in real life. She muses, “I’ve always wondered what it would be like. I had so much fun fantasizing about it to write this story!”

***

Erotic fiction isn’t just for women. It’s for everyone.

Explore the unexpected, and the uninhibited.

To read more from the authors behind this exciting anthology, you may like to read parts one,  two, three and four.

for-the-men_cover-copy-back-02An audio version is now available to complement the e-book (narrated by huskily voiced, utterly fabulous Rose Caraway.

My darkly erotic story, ‘Labyrinth’, features in final place in the collection, following stories by authors Adrea Kore, Tamsin FlowersRachel Kramer BusselAllen Dusk, Terrance Aldon Shaw, Rachel de Vine, Jade A WatersDorothy FreedD.L. KingChase Morgan, Marc AngelCharlie Powell, Landon Dixon, Sonni de Soto, D. Lovejoy, Erin Pim, J.T. Seate, Spencer Dryden, Winter Blair, Simon Drax, Lynn Lake, Josie Jordan, Daily Hollow, and T.J. Christian.

Find out more here, in Terrance Aldon Shaw’s interview with Rose: on creating an Stupid-Fish Rose and Dayv Caraway interview erotic fiction pganthology attempting to encompass the scope of male desire, on advice to aspiring writers, and the importance of plain speaking when it comes to sex.

You may enjoy a peek at my own interview with Rose, and husband Dayv, on their superb work in creating for-the-men_official-cover-copyerotic audio-fiction and anthologies.

More from Rose, including sexy snippets from each story, and her own interviews with each author, at Stupid Fish Productions.

Purchase your copy of ‘For the Men: And the Women Who Love Them’ from Amazon.